Rats!

Grace Lin

The Year of the Rat

Little, Brown, 2007

Like its predecessor (The Year of the Dog), Grace Lin's The Year of the Rat begins with the lunar new year feast and the observation that different cultures see rats differently, good and bad. For our heroine, known as Pacy to her family and Grace to others, the year brings difficult changes, most notably her best friend Melody moves to California. Grace feels isolated and alienated, and as a result behaves sometimes shamefully. Her family is there to support her, however, and their personal stories help Grace to learn empathy. The year brings surprising successes as she is affirmed as an artist, sticks up for the new Chinese kid in town (there was, for me, an interesting discourse around the word, "weird"), and begins building more meaningful relationships with the friends she had neglected.

  In the Chinese zodiac, the year of the rat begins a new cycle two years after the year of the dog. Thus, Grace is at the cusp of adolescence, and sorting through questions of self and social expectations is more complex. Lin handles these with, I can't help myself here, grace. And, of course, there's plenty of celebrations (wedding and moon festival sandwiched between lunar new year dinners) with their requisite delicious foods peppering the narrative.

Freedom wrings

Belle Yang
Hannah Is My Name
Candlewick, 2004

  Through Hannah, we learn about the anxieties and trials of immigration for a Taiwanese family in San Francisco. Among other things, Hannah must learn a new language, bid farewell to a friend whose family is deported to Hong Kong, and flee the hotel where her father works when an immigration officer comes for an inspection. But her daily trial is one shared by the entire family, waiting for green cards. At last the cards arrive, and Hannah proudly takes ownership of her American name and her legal status.
  Belle Yang's story and illustrations are bright and upbeat, rendering the immigration narrative accessible and minimizing the stress. But, the book's decided ambiguity generates its own anxieties. Why is Hannah's family rewarded with green cards, when her friend's family is deported? What are the ethics of immigration? "Freedom" is repeated a number of times, and we wonder, why is it that the so-called land of the free grants freedom to some and not others?

Finding Her Voice

Grace Lin
The Year of the Dog
Little Brown, 2006

Pacy, as she is known to her family, also has an American name, Grace; and the dual names emblematize the theme of identity, which percolates throughout The Year of the Dog. Grace, both the character and author Grace Lin, is uneasy but still gracious in fielding that oh-so-vexing question, "What are you?" Grace is Chinese, but also Taiwanese and, as her mother helpfully insists, American. What alternatives are at hand to that question? I am reminded of geographer and humanist Yifu Tuan's response to the sister question, "Where are you from?" He honestly and willfully replies, "Earth." Is there another way around questions such as these? How about replacing them with a more personal and interesting, "What is your name, and what do you like to do?" Will that day come?
  But I digress. The Year of the Dog takes us from one Lunar New Year to the next, during which time Pacy/Grace tries to find her calling. Loyal readers will not be surprised when a story about ugly vegetables crops up. But, there are satisfying surprises, particularly in the short stories told by Pacy/Grace's mother. They speak to the time and distance that the family has traveled, and to the integrity and ingenuity of individuals within the family.
  Much of the book is satisfying, and I would agree that Lin has achieved her goal of writing a book that she wishes was around when she was growing up (I wish it were, too). She even tackles the difficult issues of cultural authenticity when Pacy/Grace is confronted by Taiwanese speaking peers at a Chinese/Taiwanese/American family camp. My one lingering question concerns Pacy/Grace's friend, Becky Williams, who seemed to be left somewhat thoughtlessly by the wayside as Pacy/Grace pursues a new friendship with Melody Ling, whose similarities make the two girls "almost twins." Is there an unintended message here?

X-cultural X-mas

Pauline Chen
Peiling and the Chicken-fried Christmas
Bloomsbury, 2007

'Tis the season for lots of folly. It's a joyful time, sure, but we get a lot of mixed messages about what to want, what to give, how to feel, and so on. Pauline Chen's fifth-grade heroine, Peiling, longs to have Christmas, like everyone else. She convinces her Taiwanese-American family to celebrate the holiday for the first time, and predictably, it doesn't quite live up to her expectations. The theme of Chen's sympathetic story is identity, and readers with a literary bent will appreciate the embedded play, "The Prince and the Pauper," in which Peiling co-stars. Plot and characters are somewhat conventional, even the quirkiness of Peiling's teacher Miss Rosenweig is conventional. I also have an overly keen radar for things my mom would say, think, or want—that's just the baggage that comes with being an ABC—and there were moments when Peiling set it off. Perhaps this was deliberate, as Chen may get her tween audience to think about their parents' point of view, flawed but motivated by their best intentions. Light and warm and comforting...like a cup of instant milk tea.